Plaintiffs, members of a musical group called "Sly Slick & Wicked," filed suit alleging that Dynatone and others collected royalties from the sampling of their song, "Sho' Nuff" in 2013 and that plaintiffs were entitled to those royalty payments. The Second Circuit held that the district court erred in concluding that a repudiation of plaintiffs' claims with respect to the original terms constituted a repudiation of the renewal terms. In this case, plaintiffs did not have reasonable notice that defendants had filed a registration in the capacity of employer for hire. Therefore, the registration did not constitute effective repudiation, triggering an obligation for plaintiffs to bring suit. Accordingly, the court vacated this portion of the judgment. The court affirmed the district court's dismissal of plaintiffs' state law accounting claim for failure to allege a fiduciary duty. Therefore, the court remanded for further proceedings as to plaintiffs' renewal term copyright claims. View "Wilson v. Dynatone Publishing Co." on Justia Law

The Ninth Circuit affirmed the district court's grant of judgment as a matter of law to Jay-Z and other defendants in an action brought by the heir to the Egyptian composer Baligh Hamdy, alleging copyright infringement in the song Khosara. Jay-Z used a sample from the arrangement in the background music to his single Big Pimpin'. The panel held that the heir to Hamdy's copyright may not sue Jay-Z for infringement based solely on the fact that Egyptian law recognizes an inalienable "moral right" of the author to object to offensive uses of a copyrighted work. The panel held: (1) that Egyptian law recognizes a transferable economic right to prepare derivative works; (2) that the moral rights the heir retained by operation of Egyptian law were not enforceable in U.S. federal court; and (3) that, even if they were, the heir has not complied with the compensation requirement of Egyptian law, which did not provide for his requested money damages, and which provided for only injunctive relief from an Egyptian court. View "Fahmy v. Jay-Z" on Justia Law

Derek Boogaard was a professional hockey player with the Minnesota Wild. Team doctors repeatedly prescribed Derek pain pills for injuries. He became addicted. In 2009 the NHL placed Derek into its Substance Abuse and Behavioral Health Program. Derek was checked into a rehabilitation facility and was later subject to a mandatory “Aftercare Program,” which required him to refrain from using opioids and Ambien and to submit to random drug testing. Derek joined the New York Rangers in 2010 and began asking trainers for Ambien. Derek relapsed. NHL doctors made Derek’s situation worse by violating multiple conditions of the Aftercare Program. Eventually, Derek overdosed and died. Derek’s estate sued, alleging that the NHL had failed to prevent the over-prescription of addictive medications, had breached its voluntarily undertaken duty to monitor Derek’s drug addiction, was negligent in monitoring Derek for brain trauma, and negligently permitted team doctors to inject Derek with an intramuscular analgesic. The court found some of the claims, founded on the parties’ collective bargaining agreement, were preempted by the Labor Management Relations Act and granted the NHL summary judgment. A second amended complaint was dismissed on grounds that Minnesota law applied and required a wrongful-death action to be brought by a court-appointed trustee. The Seventh Circuit affirmed, holding that the Boogaards had forfeited their claims by failing to respond to the NHL’s argument that the complaint failed to state a claim under the law of any state. View "Boogaard v. National Hockey League" on Justia Law

In this appeal, the issue presented for the New Jersey Supreme Court's consideration was whether the Open Public Records Act (OPRA) required disclosure of the names and addresses of successful bidders at a public auction of government property. An auction was held at the Bergen County Law and Public Safety Institute to sell sports memorabilia seized by the Bergen County Prosecutor’s Office. There were thirty-nine successful bidders. Plaintiff William Brennan submitted a request to the Prosecutor’s Office, based on OPRA and the common law, for “[r]ecords of payment received from all winning bidders” and “[c]ontact information for each winning bidder.” The Prosecutor’s Office offered redacted copies of receipts that did not include the buyers’ names or addresses. The Office explained that it had sent the buyers letters to ask if they would consent to disclosure of their personal information. For buyers who consented, the Office represented it would provide unredacted receipts. The trial court directed defendants to release the requested information under OPRA. The Supreme Court determined courts were not required to analyze the "Doe" factors each time a party asserts that a privacy interest exists. "A party must first present a colorable claim that public access to records would invade a person’s reasonable expectation of privacy." Here, defendants could not make that threshold showing. "It is not reasonable to expect that details about a public auction of government property -- including the names and addresses of people who bought the seized property -- will remain private. Without a review of the Doe factors, we find that OPRA calls for disclosure of records relating to the auction." The Court reversed the judgment of the Appellate Division. View "Brennan v. Bergen County Prosecutor's Office" on Justia Law

The Professional and Amateur Sports Protection Act (PASPA) makes it unlawful for a state or its subdivisions “to sponsor, operate, advertise, promote, license, or authorize by law or compact . . . a lottery, sweepstakes, or other betting, gambling, or wagering scheme based . . . on” competitive sporting events, 28 U.S.C. 3702(1), and for “a person to sponsor, operate, advertise, or promote” those same gambling schemes if done “pursuant to the law or compact of a governmental entity,” 3702(2), but does not make sports gambling itself a federal crime. PAPSA allows existing forms of sports gambling to continue in four states. PAPSA would have permitted New Jersey to permit sports gambling in Atlantic City within a year of PASPA’s enactment but New Jersey did not do so. Voters later approved a state constitutional amendment, permitting the legislature to legalize sports gambling in Atlantic City and at horse-racing tracks. In 2014, New Jersey enacted a law that repeals state-law provisions that prohibited gambling schemes concerning wagering on sporting events by persons 21 years of age or older; at a horse-racing track or a casino in Atlantic City; and not involving a New Jersey college team or a collegiate event. The Third Circuit held that the law violated PASPA. The Supreme Court reversed. When a state repeals laws banning sports gambling, it “authorize[s]” those schemes under PASPA. PASPA’s provision prohibiting state authorization of sports gambling schemes violates the anti-commandeering rule. Under the Tenth Amendment, legislative power not conferred on Congress by the Constitution is reserved for the states. Congress may not "commandeer" the state legislative process by directly compelling them to enact and enforce a federal regulatory program. PASPA’s anti-authorization provision dictates what a state legislature may and may not do. There is no distinction between compelling a state to enact legislation and prohibiting a state from enacting new laws. Nor does the anti-authorization provision constitute a valid preemption provision because it is not a regulation of private actors. It issues a direct order to the state legislature. View "Murphy v. National Collegiate Athletic Association" on Justia Law

A computer generated image may constitute a “portrait” within the meaning of N.Y. Civ. Rights Law 50 and 51, but the disputed images in the video game central to this matter were not recognizable as Lindsay Lohan, and therefore, Lohan’s complaint was properly dismissed. Lohan claimed that the Lacey Jonas character in the Grand Theft Auto V (GTAV) game was her lookalike and misappropriated her portrait and voice. Lohan also claimed that images on various promotional materials and packing for the GTAV cumulatively evoked her images, portrait, and persona. Lohan commenced this action seeking, in part, compensatory and punitive damages for invasion of privacy in violation of N.Y. Civ. Rights Law 50 and 51. The Appellate Division granted Defendants’ motion to dismiss the complaint for failure to state a cause of action. The Court of Appeals affirmed, holding (1) a graphical representation in a video game or like media may constitute a “portrait” within the meaning of the Civil Rights Law; and (2) the representations in question were not recognizable as Lohan and therefore not actionable under the Civil Rights Law. View "Lohan v. Take-Two Interactive Software, Inc." on Justia Law

The First Amendment protects FX's portrayal of Olivia de Havilland in a docudrama without her permission. De Havilland filed suit against FX and the creators and producers of the television miniseries Feud: Bette and Joan, alleging causes of action for violation of the statutory right of publicity and the common law tort of misappropriation. De Havilland also alleged claims of false light invasion of privacy based on FX's portrayal in the docudrama of a fictitious interview and the de Havilland character's reference to her sister as a "bitch" when in fact the term she used was "dragon lady." The Court of Appeal reversed the trial court's order denying FX's special motion to strike under California's anti-SLAPP statute. The court held that, assuming a docudrama was a "use" for purposes of the right of publicity, Feud was speech that was fully protected by the First Amendment, which safeguards the storytellers and artists who take the raw materials of life -- including the stories of real individuals, ordinary or extraordinary -- and transformed them into art, be it articles, books, movies, or plays. Furthermore, the fact that Feud's creators did not purchase or otherwise procure de Havilland's "right" to her name or likeness did not change the analysis. In this case, Feud's portrayal of de Havilland was transformative. The court also held that de Havilland failed to carry her burden of proving with admissible evidence that she will probably prevail on her false light claim, and thus de Havilland's cause of action for unjust enrichment also failed. View "De Havilland v. FX Networks, LLC" on Justia Law

The First Amendment protects FX's portrayal of Olivia de Havilland in a docudrama without her permission. De Havilland filed suit against FX and the creators and producers of the television miniseries Feud: Bette and Joan, alleging causes of action for violation of the statutory right of publicity and the common law tort of misappropriation. De Havilland also alleged claims of false light invasion of privacy based on FX's portrayal in the docudrama of a fictitious interview and the de Havilland character's reference to her sister as a "bitch" when in fact the term she used was "dragon lady." The Court of Appeal reversed the trial court's order denying FX's special motion to strike under California's anti-SLAPP statute. The court held that, assuming a docudrama was a "use" for purposes of the right of publicity, Feud was speech that was fully protected by the First Amendment, which safeguards the storytellers and artists who take the raw materials of life -- including the stories of real individuals, ordinary or extraordinary -- and transformed them into art, be it articles, books, movies, or plays. Furthermore, the fact that Feud's creators did not purchase or otherwise procure de Havilland's "right" to her name or likeness did not change the analysis. In this case, Feud's portrayal of de Havilland was transformative. The court also held that de Havilland failed to carry her burden of proving with admissible evidence that she will probably prevail on her false light claim, and thus de Havilland's cause of action for unjust enrichment also failed. View "De Havilland v. FX Networks, LLC" on Justia Law

This case arose from a dispute between the parties over licensing agreements involving the motion picture Gone in 60 Seconds. The trial court entered judgment for Classic and ordered that Eleanor Licensing retain possession of a vehicle identified as "Eleanor No. 1," which had been manufactured by Classic pursuant to a licensing agreement between the parties; quieting title to the vehicle in Eleanor Licensing; directing Classic to perform according to the terms of the licensing agreement and transfered legal title to Eleanor No. 1 to Eleanor Licensing; and awarding damages and attorney fees. The court held that the November 1, 2007 License Agreement was supported by adequate consideration; the contract-based claims, to the extent otherwise valid, were barred by the statute of limitations; the causes of action for return of personal property and quiet title were timely filed; the alter ego finding was not supported by substantial evidence; Jason Engel was properly named as a defendant in the causes of action to quiet title and for return of personal property; Tony Engel was a proper defendant in the quiet title cause of action; and the Engels were not liable for attorney fees. The court reversed in part and affirmed in part the judgment and postjudgment order. View "Eleanor Licensing LLC v. Classic Recreations LLC" on Justia Law

These consolidated appeals stemmed from a jury's finding that Pharrell Williams, Robin Thicke, and Clifford Harris, Jr.'s song "Blurred Lines," the world's bestselling single in 2013, infringed Frankie Christian Gaye, Nona Marvisa Gaye, and Marvin Gaye III's copyright in Marvin Gaye's 1977 hit song "Got To Give It Up." The Ninth Circuit affirmed in part and reversed in part the district court's judgment. The panel held that "Got To Give It Up" was entitled to broad copyright protection because musical compositions were not confined to a narrow range of expression; the panel accepted, without deciding, the merits of the district court's ruling that the scope of defendants' copyright was limited, under the Copyright Act of 1909, to the sheet music deposited with the Copyright Office, and did not extend to sound recordings; the district court's order denying summary judgment was not reviewable after a full trial on the merits; the district court did not err in denying a new trial; the district court did not abuse its discretion in admitting portions of expert testimony; the verdict was not against the clear weight of the evidence; the awards of actual damages and profits and the district court's running royalty were proper; the district court erred in overturning the jury's general verdict in favor of Harris and the Interscope Parties; the district court did not abuse its discretion in denying the Gayes' motion for attorney's fees; and the district court did not abuse its discretion in apportioning costs among the parties. View "Williams v. Gaye" on Justia Law