Justia Entertainment & Sports Law Opinion Summaries

Warner filed suit claiming that AVELA infringed their trademarks and engaged in unfair competition by licensing iconic pictures and phrases from films. On appeal, AVELA challenges a permanent injunction prohibiting them from licensing images from the films Gone with the Wind and The Wizard of Oz, as well as the animated short films featuring cat-and-mouse duo Tom and Jerry. The court concluded that AVELA’s Seventh Amendment claim is not properly before the court and thus the court declined to consider it; the court rejected AVELA's alternative claim that the $2,570,000 statutory damages award is disproportionate to the offense, insufficiently reasoned, and in violation of this court’s ruling in the previous appeal; the doctrine of judicial admissions does not bar Warner’s trademark claims; likewise, judicial estoppel does not apply; Dastar Corp. v. Twentieth Century Fox Film Corp. does not bar Warner's trademark claims; AVELA has waived the functionality and fair use defenses; the likelihood of confusion does not always require a jury trial and, on the merits, the district court did not err by rendering summary judgment on the likelihood of confusion; the court rejected AVELA's challenges to the permanent injunction; and the district court’s order is not inconsistent with the court's ruling in the prior appeal. Accordingly, the court affirmed the judgment. View "Warner Bros. Entertainment v. X One X Productions" on Justia Law

In this copyright infringement suit, plaintiffs challenged the district court's determination that defendants’ verbatim use of a portion of Abbott and Costello’s iconic comedy routine, "Who’s on First?," in the recent Broadway play "Hand to God," qualified as a non‐infringing fair use. The court concluded that defendants’ entitlement to a fair use defense was not so clearly established on the face of the amended complaint and its incorporated exhibits as to support dismissal. In this case, defendants' verbatim use of the routine was not transformative, defendants failed persuasively to justify their use of the routine, defendants' use of some dozen of the routine’s variations of “who’s on first” was excessive in relation to any dramatic purpose, and plaintiffs alleged an active secondary market for the work, which was not considered by the district court. The court concluded, however, that the dismissal is warranted because plaintiffs failed to plausibly plead ownership of a valid copyright. The court found plaintiffs' efforts to do so on theories of assignment, work‐for‐hire, and merger all fail as a matter of law. Accordingly, the court affirmed the judgment. View "TCA Television Corp. v. McCollum" on Justia Law

Lyda’s patents describe “obtaining real time responses to remote programming” by “allow[ing] persons viewing or listening to a broadcast to respond to the broadcast in real time without requiring a personal computer.” Lyda sued CBS for infringement in connection with the television show “Big Brother.” Lyda alleged that audience members could influence the show by voting using cell phone text messages. The complaint alleged that CBS engaged an independent contractor to test the system and that the independent contractor used unnamed third parties to perform the voting. The district court dismissed, finding that the allegations implicated a theory of joint infringement and that Form 18, the Federal Rules’ standard for specificity in pleading direct infringement, does not apply to joint infringement claims. The court stated that “Plaintiff’s allegations are simply too vague, even under the Form 18 standard, to articulate a claim for relief.” The Federal Circuit affirmed, applying the “Twombly/Iqbal” standard, which requires pleading facts sufficient to allow a reasonable inference that all steps of the claimed method are performed and either one party exercises the requisite “direction or control” over the others’ performance or the actors form a joint enterprise such that performance of every step is attributable to the controlling party. View "Lyda v. CBS Corp." on Justia Law

In 2013, the U.S. Soccer Team Players Association disapproved the US Soccer Federation’s proposed tequila poster advertisement, which contained player images. The Federation issued a notice, declaring that the collective bargaining agreement/uniform player agreement (CBA/UPA) did not require Players Association approval for use of player likenesses for six or more players in print creative advertisements by sponsors. The Players Association filed a grievance and demanded arbitration, arguing that the CBA/UPA did require approval, based on the past practice of the parties. The arbitrator issued an award in favor of the Players Association. The district court confirmed the award. The Seventh Circuit reversed. The contractual provisions are clear and unambiguous, establishing that the parties contemplated and anticipated the use of player likenesses for six players or more and agreed only to “request, but not require” a sponsor contribution to the applicable player pool for advertisements of the type at issue. No other terms that contradict this “request, but not require” condition. View "United States Soccer Fed'n Inc. v. United States Nat'l Soccer Ass'n" on Justia Law

Appellants purchased tickets to Super Bowl XLV and were either displaced from their seats, relocated, or had an obstructed view of the field. The majority of the affected ticketholders settled with the NFL. However, appellants in this instance elected to file suit, alleging various claims relating to breach of contract and fraud. Most of appellants’ claims were dismissed before trial, and class certification was denied. Seven individual appellants went to trial against the NFL and prevailed on breach of contract, but not on fraudulent inducement claims. The court concluded that, because appellants have presented no authority supporting that a third-party vendor with limited responsibility is also responsible for the performance of the express ticket terms, appellants’ argument that the Cowboys are liable for their tort claims fails; an inference of fraudulent inducement is untenable; and the economic loss rule bars appellants' claims. The court also concluded that the contract claims failed where the unambiguous term of the contract entitling ticketholders to “a spectator seat for the game” was not breached by an obstructed view of the video board. Furthermore, the fraudulent inducement claims failed because appellants were not fraudulently induced to buy Super Bowl tickets thinking they would see the game on the video board. As to class certification, the court concluded that the district court did not abuse its discretion in refusing to certify the Displaced Class, the Relocated Class, and the Obstructed-View Class. Finally, the court concluded that the district court did not abuse its discretion in declining to give appellants' proposed jury instruction. Accordingly, the court affirmed the judgment. View "Ibe v. Jones" on Justia Law

EA, creator of The Sims, contracted with a production company called Lithomania to produce a USB flash drive shaped like a “PlumbBob,” a gem-shaped icon from the computer game, to promote a “Collector’s Edition” of The Sims. Lithomania in turn contracted with DT to produce a prototype of the PlumbBob-shaped flash drive. After DT settled breach of contract claims with Lithomania, DT sued EA under the federal Copyright Act, 17 U.S.C. 101 et seq., and the California Uniform Trade Secrets Act (CUTSA), Cal. Civ. Code 3426–3246.11. The district court granted summary judgment to EA. The court held that the district court erred by concluding as a matter of law that the flash drive was not copyrightable, and that there is a genuine issue of material fact as to whether DT’s cut-away design for removing the USB flash drive from the PlumbBob object is sufficiently non-functional and non-trivial to warrant copyright protection. In this case, a reasonable jury could decide these questions in either party’s favor. Therefore, the court reversed as to this claim. The court affirmed the district court's grant of summary judgment to EA as to the CUTSA claim and held that DT's design for the flash drive's removal from the PlumbBob object does not derive independent economic value from not being generally known to the public. The court rejected EA's cross appeal and held that the district court did not clearly err or otherwise abuse its discretion in denying attorneys’ fees for this claim. View "Direct Tech. v. Electronic Arts" on Justia Law

Plaintiff, the composer of a song called "Bright Red Chords," filed suit alleging that defendant, publicly known as Jessie J, and a team of high-profile songwriters led by Dr. Luke, stole a two-measure melody from Bright Red Chords. Plaintiff alleged that defendants used the melody in their hit song "Domino." The district court granted defendants' motion for summary judgment. The court concluded that plaintiff’s arguments in this case tell a story that, if adequately substantiated, might have survived summary judgment. The problem is that it was not supported by potentially admissible evidence. The court concluded that, at bottom, the record consists primarily of plaintiff's speculations of access unsupported by personal knowledge. The other evidence did not fill the breach. Accordingly, the court affirmed the judgment. View "Loomis v. Cornish" on Justia Law

Kurt Knutsson is a technology reporter who created “Kurt the CyberGuy” video segments for use on television news programs and station websites. Knutsson and his company, Woojivas, Inc., entered into a written agreement with Los Angeles television station KTLA. Pursuant to the agreement, website material Knutsson created was distributed to the websites of certain television stations in other cities, including those of stations owned and operated by LTV. At issue is whether, for purposes of the common law tort of misappropriation of name and likeness, plaintiffs consented to LTV’s use of the CyberGuy material, including placing links to it on webpages along with links to material created by a reporter who was hired following the termination of Knutsson’s contract. The court concluded that plaintiffs cannot demonstrate lack of consent to LTV’s use of the CyberGuy material, so summary judgment in favor of LTV was warranted on the common law misappropriation of name and likeness cause of action. This determination requires that plaintiffs also cannot prevail on the two other causes of action at issue. Accordingly, the court concluded that the trial court erred in denying summary judgment to LTV and granted LTV's petition. View "Local TV v. Super. Ct." on Justia Law

The Spectrum Act, Pub. L. No. 112-96, 126 Stat. 156, responds to the rapidly growing demand for mobile broadband services by granting the FEC authority to reallocate a portion of the licensed airwaves from television broadcasters to mobile broadband providers. The Act contemplates the repurposing of licensed spectrum through a multi-step auction process. The statutory framework governing the repacking process is set out in 47 U.S.C. 1452. This case involves a challenge to the Commission’s implementation of the Spectrum Act brought by a particular species of broadcasters - low-power television (LPTV) stations. Determining that it has jurisdiction, the court rejected petitioners’ contention that the terms of section 1452(b)(5) unambiguously compel protecting LPTV stations from displacement in the repacking process called for by the Act. Furthermore, the court concluded that the Commission’s treatment of LPTV stations in the challenged orders rests on a reasonable understanding of subsection (b)(5) for purposes of Chevron step two, and the court rejected petitioners’ arbitrary-and-capricious arguments to the same effect. Finally, the court rejected petitioners' procedural challenge. Accordingly, the court denied the petitions for review. View "Mako Commc'n v. FCC" on Justia Law

Plaintiff suit against Live Nation asserting claims for copyright infringement under 17 U.S.C. 101 et seq., and removal of copyright management information (CMI) under 17 U.S.C. 1202. Live Nation stipulated in the district court that it infringed plaintiff's copyrights when it used his photos of Run-DMC without his authorization on t-shirts and a calendar. The district court granted summary judgment for Live Nation on plaintiff's claims. The court concluded that, drawing all inferences in plaintiff’s favor, the evidence in the record gave rise to a triable issue of fact as to Live Nation’s willfulness. Therefore, the court reversed the grant of summary judgment as to this issue. The court also reversed the district court's dismissal of plaintiff's claim under section 1202(b) of the Digital Millennium Copyright Act, 17 U.S.C. 1202(b). In this case, the court concluded that the record creates a triable issue of fact as to whether Live Nation distributed plaintiff's photographs with the requisite knowledge. How Live Nation came to possess plaintiff's photographs - and thus whether it had knowledge that the CMI had been removed - is a fact “particularly within” Live Nation’s knowledge. It would be unfair to burden plaintiff at the summary judgment stage with proving that knowledge with greater specificity than he did. Finally, the court held that the provision, in Section 504(c)(1) of the Copyright Act, of separate statutory damage awards for the infringement of each work “for which any two or more infringers are liable jointly and severally” applies only to parties who have been determined jointly and severally liable in the course of the liability determinations in the case for the infringements adjudicated in the action. Because plaintiff did not join any of his alleged downstream infringers as defendants in this case, the district court correctly held that he was limited to one award per work infringed by Live Nation. View "Friedman v. Live Nation Merchandise" on Justia Law