Justia Entertainment & Sports Law Opinion Summaries

Kurt Knutsson is a technology reporter who created “Kurt the CyberGuy” video segments for use on television news programs and station websites. Knutsson and his company, Woojivas, Inc., entered into a written agreement with Los Angeles television station KTLA. Pursuant to the agreement, website material Knutsson created was distributed to the websites of certain television stations in other cities, including those of stations owned and operated by LTV. At issue is whether, for purposes of the common law tort of misappropriation of name and likeness, plaintiffs consented to LTV’s use of the CyberGuy material, including placing links to it on webpages along with links to material created by a reporter who was hired following the termination of Knutsson’s contract. The court concluded that plaintiffs cannot demonstrate lack of consent to LTV’s use of the CyberGuy material, so summary judgment in favor of LTV was warranted on the common law misappropriation of name and likeness cause of action. This determination requires that plaintiffs also cannot prevail on the two other causes of action at issue. Accordingly, the court concluded that the trial court erred in denying summary judgment to LTV and granted LTV's petition. View "Local TV v. Super. Ct." on Justia Law

The Spectrum Act, Pub. L. No. 112-96, 126 Stat. 156, responds to the rapidly growing demand for mobile broadband services by granting the FEC authority to reallocate a portion of the licensed airwaves from television broadcasters to mobile broadband providers. The Act contemplates the repurposing of licensed spectrum through a multi-step auction process. The statutory framework governing the repacking process is set out in 47 U.S.C. 1452. This case involves a challenge to the Commission’s implementation of the Spectrum Act brought by a particular species of broadcasters - low-power television (LPTV) stations. Determining that it has jurisdiction, the court rejected petitioners’ contention that the terms of section 1452(b)(5) unambiguously compel protecting LPTV stations from displacement in the repacking process called for by the Act. Furthermore, the court concluded that the Commission’s treatment of LPTV stations in the challenged orders rests on a reasonable understanding of subsection (b)(5) for purposes of Chevron step two, and the court rejected petitioners’ arbitrary-and-capricious arguments to the same effect. Finally, the court rejected petitioners' procedural challenge. Accordingly, the court denied the petitions for review. View "Mako Commc'n v. FCC" on Justia Law

Plaintiff suit against Live Nation asserting claims for copyright infringement under 17 U.S.C. 101 et seq., and removal of copyright management information (CMI) under 17 U.S.C. 1202. Live Nation stipulated in the district court that it infringed plaintiff's copyrights when it used his photos of Run-DMC without his authorization on t-shirts and a calendar. The district court granted summary judgment for Live Nation on plaintiff's claims. The court concluded that, drawing all inferences in plaintiff’s favor, the evidence in the record gave rise to a triable issue of fact as to Live Nation’s willfulness. Therefore, the court reversed the grant of summary judgment as to this issue. The court also reversed the district court's dismissal of plaintiff's claim under section 1202(b) of the Digital Millennium Copyright Act, 17 U.S.C. 1202(b). In this case, the court concluded that the record creates a triable issue of fact as to whether Live Nation distributed plaintiff's photographs with the requisite knowledge. How Live Nation came to possess plaintiff's photographs - and thus whether it had knowledge that the CMI had been removed - is a fact “particularly within” Live Nation’s knowledge. It would be unfair to burden plaintiff at the summary judgment stage with proving that knowledge with greater specificity than he did. Finally, the court held that the provision, in Section 504(c)(1) of the Copyright Act, of separate statutory damage awards for the infringement of each work “for which any two or more infringers are liable jointly and severally” applies only to parties who have been determined jointly and severally liable in the course of the liability determinations in the case for the infringements adjudicated in the action. Because plaintiff did not join any of his alleged downstream infringers as defendants in this case, the district court correctly held that he was limited to one award per work infringed by Live Nation. View "Friedman v. Live Nation Merchandise" on Justia Law

League Commissioner Roger Goodell, during the 2014 football season, suspended Minnesota Vikings running back Adrian Peterson indefinitely and fined Peterson a sum equivalent to six games' pay. Peterson’s suspension stemmed from his plea of nolo contendere in November 2014 to a charge of misdemeanor reckless assault on one of his children. After Peterson appealed his discipline to an arbitrator, the arbitrator affirmed the suspension and fine. The district court then granted Peterson's petition to vacate the arbitration decision and the League appealed. The Commissioner subsequently reinstated Peterson. At issue in this appeal is whether the League may collect the fine imposed by the Commissioner and upheld by the arbitrator. The court concluded that the parties bargained to be bound by the decision of the arbitrator, and the arbitrator acted within his authority. The court rejected the Association's remaining contentions that the arbitrator was "evidently partial' and that the arbitration was “fundamentally unfair.” Accordingly, the court reversed the district court’s judgment vacating the arbitration decision and the court remanded with directions to dismiss the petition. View "NFL Players Ass'n v. National Football League" on Justia Law

Plaintiff, a composer and music producer, filed a copyright suit against Sony, Razor Sharp Records, and Dennis Coles, a/k/a Ghostface Killah, to enforce plaintiff's claimed ownership rights in the "Iron Man" theme song. The district court determined that plaintiff failed to present sufficient evidence to rebut the presumption that Marvel was, in fact, the copyright owner. Therefore, the district court dismissed plaintiff's New York common law claims for copyright infringement, unfair competition, and misappropriation on the basis that those claims were preempted by the Copyright Act, 17 U.S.C. 101 et seq. The court held that, although the district court properly determined that defendants had standing to raise a “work for hire” defense to plaintiff’s copyright infringement claim, the district court erred in concluding that plaintiff failed to raise issues of material fact with respect to his ownership of the copyright; the district court properly dismissed plaintiff’s state law claims as preempted by the Copyright Act; the court vacated the district court’s summary judgment ruling with respect to plaintiff’s Copyright Act claim and remanded for further proceedings; and the court affirmed the district court's dismissal of plaintiff's state law claims. View "Urbont v. Sony Music Entm't" on Justia Law

Plaintiff Leah Manzari, famous under her professional name, Danni Ashe, for her groundbreaking work in monetizing online pornography, filed a defamation suit claiming that the Daily Mail Online, an online news outlet, used a photograph of her to convey the defamatory impression that she had tested positive for HIV. The Daily Mail filed an interlocutory appeal under California’s anti-SLAPP statute, Cal. Civ. Proc. Code 425.15. The court agreed with the district court that, at this stage in the litigation, Manzari has presented sufficient evidence to move forward with her claim that the Daily Mail Online employees acted with actual malice when they published the article implying that Manzari was an HIV-positive sex worker. Accordingly, the court affirmed the district court's denial of the Daily Mail's motion to strike the complaint. View "Manzari v. Associated Newspapers" on Justia Law

Eberts is a film producer whose credits include Lord of War (2005) and Lucky Number Slevin (2006). After a string of failed movies, in 2009, he filed for bankruptcy. He was introduced to Elliott, an Illinois novice author who wanted to adapt his book into a movie. Eberts and Elliott formed a limited liability company. Both agreed to invest money. Eberts did not disclose his insolvency. Over the next year Elliott wired $615,000 to accounts controlled by Eberts. Eberts applied only 10% of that money toward the movie; he paid his father and bankruptcy attorney and spent the rest on personal items like art, furniture, designer clothing, and fine wines. Eberts also solicited and received a $25,000 loan from Elliott for an unrelated project and never repaid it. After Elliott discovered the scam, he filed suit. Later, Eberts pleaded guilty to seven counts of wire fraud, 18 U.S.C. 1343, and three counts of money laundering, section 1957, and was sentenced to 46 months’ imprisonment, the top of the guidelines range. The Seventh Circuit affirmed, rejecting an argument that the court failed to consider the 18 U.S.C. 3553(a) sentencing factors or Eberts’s mitigation arguments, but based the sentence on unsupported facts. View "United States v. Eberts" on Justia Law

Slep-Tone has filed more than 150 suits under the Lanham Act, 15 U.S.C. 1051, challenging the unauthorized copying and performance of its commercial karaoke files. In addition to the registered Sound Choice trademark, Slep-Tone claims ownership of distinctive trade dress, consisting of typeface, style, and visual arrangement of the song lyrics displayed in the graphic component of the accompaniment tracks; a display version of the Sound Choice mark; and the style of entry cues that are displayed to signal when singers should begin to sing. Slep-Tone alleges that it has used this trade dress for decades and that it is sufficiently recognizable to enable customers to distinguish a Slep-Tone track from a track produced by a competitor. The pub operators own hard drives containing allegedly illegitimate “bootleg” copies of Slep-Tone tracks and, allegedly, are improperly “passing off” the copies as genuine Slep-Tone tracks. The district court dismissed claims of trademark infringement, reasoning that the complaint did not plausibly suggest that the unauthorized use of Slep-Tone’s trademark and trade dress is likely to cause confusion among customers as to the source of any tangible good containing the tracks, a prerequisite to relief under either cited section of the Lanham Act. The Seventh Circuit affirmed. Slep-Tone’s real complaint concerns theft, piracy, and violation of Slep-Tone’s media policy rather than trademark infringement. View "Phoenix Ent. Partners, LLC v. Rumsey" on Justia Law

A class of plaintiffs filed suit against the Rams in the Twenty-Second Circuit Court in the city of St. Louis, alleging state-law violations that arose out of the Rams' relocation of their professional football team to Los Angeles, California. The Rams removed the case to federal court under the Class Action Fairness Act (CAFA), 28 U.S.C. 1332(d). Once before the federal district court, plaintiffs moved to remand to the state court based predominantly on a lack of minimal diversity necessary to support CAFA jurisdiction. On appeal, the Rams challenged the district court's decision to remand the case to the Missouri state court. The court concluded that the Rams properly removed the case to federal court by filing a notice of removal; the district court's refusal to consider postremoval evidence effectively denied the Rams the opportunity for jurisdictional discovery to establish their claim of federal jurisdiction; and the district court's refusal to consider postremoval evidence prejudiced the Rams by limiting their ability to prove their statutory right to a federal forum. Accordingly, the court vacated the district court's order remanding the case to the Missouri state court and remanded to the district court for further proceedings. View "Pudlowski v. The St. Louis Rams LLC" on Justia Law

Flo & Eddie, a California corporation, filed suit against Sirius, a satellite and internet radio provider, claiming that Sirius violated Flo & Eddie’s rights as owner of sound recordings of musical performances that were fixed before February 15, 1972. Because the issues in this case have not been addressed by the Supreme Court of Florida, the court certified the following questions to that state court: 1. Whether Florida recognizes common law copyright in sound recordings and, if so, whether that copyright includes the exclusive right of reproduction and/or the exclusive right of public performance? 2. To the extent that Florida recognizes common law copyright in sound recordings, whether the sale and distribution of phonorecords to the public or the public performance thereof constitutes a “publication” for the purpose of divesting the common law copyright protections in sound recordings embedded in the phonorecord and, if so whether the divestment terminates either or both of the exclusive right of public performance and the exclusive right of reproduction? 3. To the extent that Florida recognizes a common law copyright including a right of exclusive reproduction in sound recordings, whether Sirius’s back-up or buffer copies infringe Flo & Eddie’s common law copyright exclusive right of reproduction? 4. To the extent that Florida does not recognize a common law copyright in sound recordings, or to the extent that such a copyright was terminated by publication, whether Flo & Eddie nevertheless has a cause of action for common law unfair competition/misappropriation, common law conversion, or statutory civil theft under FLA. STAT. 772.11 and FLA. STAT. 812.014? View "Flo & Eddie v. Sirius SM Radio" on Justia Law