Justia Entertainment & Sports Law Opinion Summaries

Batson went to Live Nation’s Chicago box office and purchased a non‐refundable ticket to see a popular band. He later realized that the ticket price included a $9 parking fee for a spot he did not want. Believing that the bundled $9 fee was unfair, he sued on behalf of himself and a proposed class, citing the Class Action Fairness Act, 28 U.S.C. 1332(d)(1), and claiming that Live Nation had committed an unfair practice in violation of the Illinois Consumer Fraud and Deceptive Business Practices Act. The complaint referred to the 2010 merger between Live Nation and Ticketmaster (which was not blocked by the Department of Justice). The district court dismissed. The Seventh Circuit affirmed, stating that there are times when consumers must accept a package deal in order to get the part of the package they want. The relevant factors ask whether the practice offends public policy; is immoral, unethical, oppressive, or unscrupulous; or causes substantial injury to consumers.View "Batson v. Live Nation, Entm't, Inc." on Justia Law

Plaintiff was cast in a minor role in an adventure film with the working title "Desert Warrior." The film never materialized and plaintiff's scene was used, instead, in an anti-Islamic film titled "Innocence of Muslims." The film was uploaded to YouTube.com and her brief performance was dubbed over so that she appeared to be asking, "Is your Mohammed a child molester?" An Egyptian cleric subsequently issued a fatwa, calling for the killing of everyone involved with the film. After Google refused to take it down from YouTube, plaintiff sought a restraining order seeking removal of the film, claiming that the posting of the video infringed the copyright in her performance. The district court treated the application as a motion for a preliminary injunction but denied the motion. The court concluded that plaintiff demonstrated a likelihood of success on the merits where plaintiff had an independent copyright interest in her performance; the work for hire doctrine was inapplicable in this instance because plaintiff was not a traditional employee and the filmmaker was not in the regular business of making films; and although plaintiff granted the filmmaker an implied license to use plaintiff's performance, the filmmaker exceeded the bounds of the license when he lied to plaintiff in order to secure her participation and she agreed to perform in reliance on that lie. The court also concluded that plaintiff faced irreparable harm absent an injunction where plaintiff took legal action as soon as the film received worldwide attention and she began receiving death threats; the harm plaintiff complained of was real and immediate; and plaintiff demonstrated a causal connection because removing the film from YouTube would help disassociate her from the film's anti-Islamic message and such disassociation would keep her from suffering future threats and physical harm. Finally, the balance of the equities and the public interest favored plaintiff's position. Accordingly, the court concluded that the district court abused its discretion in denying the motion for a preliminary injunction. The court reversed and remanded. View "Garcia v. Google, Inc." on Justia Law

When legendary blues musician Robert Johnson died intestate in 1938, he had no money and appeared to have left no assets to distribute to heirs, so no estate was opened at that time. But the increasing popularity of Johnson's music over the years following his death led Steven LaVere, a music producer from Tennessee who owned Delta Haze Corporation, to contact Johnson's half-sister, Carrie Thompson, about previously unpublished photographs of Johnson. Believing Thompson to be Johnson's only heir, LaVere requested the photographs to launch a new release of Johnson's music. The legatees of Carrie Thompson sought to recover royalties and fees from the use of two photographs that were ultimately used in the project. Among the several reasons the trial court denied their claim was that the statute of limitations had expired. Finding no reversible error, the Supreme Court affirmed. View "Anderson v. LaVere" on Justia Law

When basketball legend Michael Jordan was inducted into the Naismith Memorial Basketball Hall of Fame in 2009, Sports Illustrated produced a special commemorative issue devoted exclusively to Jordan’s remarkable career. Jewel Foods was offered free advertising space in the issue for agreeing to stock the magazine in its 175 stores. Jewel submitted a full-page ad congratulating Jordan, which ran on the inside back cover of the commemorative issue. To Jordan the ad constituted a misappropriation of his identity for the supermarket chain’s commercial benefit. He sought $5 million in damages, alleging violations of the federal Lanham Act, the Illinois Right of Publicity Act, the Illinois deceptive-practices statute, and the common law of unfair competition. The district court accepted Jewel’s First Amendment defense, that its ad was “noncommercial” speech with full First Amendment protection. The Seventh Circuit reversed and remanded. Jewel’s ad prominently featured the “Jewel-Osco” logo and marketing slogan, which were creatively and conspicuously linked to Jordan in the text of the ad’s congratulatory message. The ad was a form of image advertising aimed at promoting the Jewel-Osco brand; it was commercial speech and subject to the laws cited by Jordan.View "Jordan v. Jewel Food Stores, Inc," on Justia Law

GLAAD filed a putative class action alleging that CNN violated California's Unruh Civil Rights Act, Cal. Civ. Code 51 et seq., and California's Disabled Persons Act (DPA), Cal. Civ. Code 54 et seq., by intentionally excluding deaf and hard of hearing visitors from accessing the videos on CNN.com. CNN filed a motion to strike under California's anti-SLAPP law, Cal. Civ. Proc. Code 425.16 et seq., arguing that GLAAD's claims arose from conduct in furtherance of CNN's free speech rights and that GLAAD failed to establish a probability of prevailing on its claims. The court concluded that CNN's conduct was in furtherance of its free speech rights on a matter of public interest; where, as here, an action directly targeted the way a content provider chose to deliver, present, or publish news content on matters of public interest, that action was based on conduct in furtherance of free speech rights and must withstand scrutiny under California's anti-SLAPP statute; GLAAD failed to establish a probability of success on the merits of its Unruh Act claims because it has not shown intentional discrimination based on disability as required under California law; at this juncture, none of CNN's constitutional challenges posed a barrier to GLAAD's pursuit of its DPA claims; GLAAD's DPA claims were not foreclosed by the doctrines of field preemption and conflict preemption; GLAAD's DPA claims have the requisite minimal merit to survive CNN's free speech challenge and dormant Commerce Clause challenge; and the court certified to the California Supreme Court the remaining dispositive question of state law regarding GLAAD's DPA claims. Accordingly, the court vacated the district court's order denying CNN's motion to dismiss. View "Greater L.A. Agency on Deafness v. CNN" on Justia Law

Experience Hendrix filed suit against Pitsicalis alleging that Pitsicalis was infringing trademarks in violation of the Lanham Act, 15 U.S.C. 1051-1127, and that the trademark infringement also amounted to an unfair or deceptive trade practice proscribed by Washington's Consumer Protection Act (WCPA), Wash. Rev. Code 19.86.010-19.86.920. Determining that Pitsicalis had Article III standing, the court concluded, inter alia, that the WPRA was constitutional as applied to the narrow set of non-speculative circumstances at issue in this case; Pitsicalis was liable under the Lanham Act for using domain names that infringed Experience Hendrix's trademark "Hendrix"; and Paragraph 5 of the permanent injunction failed to state clearly the terms of the injunction and did not describe in reasonable detail the acts that were and were not restrained. Accordingly, the court reversed the district court's determination that the Washington statute was unconstitutional and remanded Pitsicalis's declaratory judgment claims pertaining to the WPRA with instructions to enter judgment on those claims in favor of Experience Hendrix; affirmed the grant of partial summary judgment on Experience Hendrix's claim that Pitsicalis's use of domain names infringed Experience Hendrix's mark; vacated the permanent injunction and remanded so the district court could revise the language at issue; reversed the Rule 50(b)(3) decision to strike most of the jury's award of damages under both the Lanham Act and the WPRA; affirmed the district court's order granting a new trial on damages under both statutes; remanded for a new trial on such damages; vacated the district court's award of attorney's fees under the WCPA; and remanded the fee request for further proceedings. View "Experience Hendrix v. HendrixLicensing.com" on Justia Law

This case concerned a dispute over the Baltimore Ravens "Flying B" logo. After the Ravens had played their first season in 1997, plaintiff filed his first lawsuit against them and the NFL, alleging that the logo infringed the copyright in three of his drawings. In this appeal, plaintiff challenged the NFL's use of the logo in three videos featured on its television network and various websites, as well as the Baltimore Ravens' display of images that included the logo as part of exhibits in its stadium "Club Level" seating area. The court affirmed the district court's finding that defendants' limited use of the logo qualified as fair use. Accordingly, the court affirmed the district court's grant of summary judgment in favor of defendants. View "Bouchat v. Baltimore Ravens Ltd." on Justia Law

Marshak appealed the district court's preliminary injunction for HRE enjoining Marshak from using the "The Platters" mark in connection with any vocal group with narrow exceptions. At issue was whether the likelihood of irreparable harm must be established - rather than presumed, as under prior Ninth Circuit precedent - by a plaintiff seeking injunctive relief in the trademark context. Following eBay v. MarcExchange and Winter v. Natural Res. Def. Council, Inc., a plaintiff seeking a preliminary injunction in a trademark infringement case must establish irreparable harm. The court concluded that HRE was not foreclosed from bringing the underlying suit where prior New York actions (Marshak I and Marshak II) did not have res judicata effect; HRE's trademark infringement claim and request for preliminary injunction was not precluded by the doctrine of laches; the record supported the district court's determination that HRE did not abandon "The Platters" mark; but the fact that the district curt made no factual findings that would support a likelihood of establishing irreparable harm, led the court to reverse the preliminary injunction and to remand to the district court. View "HRE v. Florida Entertainment Mgmt." on Justia Law

This appeal stemmed from Seven Arts's attempts to establish ownership of copyrights in several motion pictures: "Rules of Engagement," "An American Rhapsody," and "Who is Cletis Tout?" Seven Arts filed suit against Paramount and Content Media for copyright infringement, a declaration of ownership rights, and an accounting, seeking a declaration that neither Content Media, nor its predecessors-in-interest, CanWest, was the owner or grantee of rights to the films. The action was filed over three years after Paramount plainly and expressly repudiated Seven Arts's copyright ownership by choosing to continue paying royalties to CanWest and Content Media, rather than to Seven Arts's predecessors. The court joined its sister circuits in holding that an untimely ownership claim will bar a claim for copyright infringement where the gravaman of the dispute was ownership, at least where, as here, the parties were in a close relationship. The court affirmed the judgment of the district court, concluding that the district court properly dismissed the suit because it was apparent from the complaint that Paramount clearly and expressly repudiated Seven Arts's ownership of the copyrights more than three years before Seven Arts brought suit. View "Seven Arts v. Content Media" on Justia Law

Bristol Bay Productions, LLC brought claims against author Clive Cussler in California for fraud based on allegations that he had misrepresented his readership numbers. Bristol Bay alleged Cussler told it he had sold over 100 million books when the figure was, in fact, closer to 40 million. According to Bristol Bay, it reasonably relied on those numbers when it purchased the film rights to Cussler's books and produced an ultimately unsuccessful movie based on one of them (Sahara), with resulting damages of more than $50 million. In a special verdict, a California jury found Cussler misrepresented his readership figures and that Bristol Bay reasonably relied on those misrepresentations, but that Bristol Bay's reliance on those misrepresentations did not cause its damages. Bristol Bay also sued Cussler's literary agent and publishers for fraud in Colorado based on the same allegations asserted in the California suit. Following Bristol Bay's unsuccessful appeal of the California action, the trial court dismissed Bristol Bay's Colorado action on issue preclusion grounds for failing to state a claim. The court of appeals affirmed. Bristol Bay appealed the Colorado courts' dismissal. After review, the Colorado Supreme Court concluded Bristol Bay's Colorado action was indeed barred on issue preclusion grounds. However, the Colorado Court held the trial court erred by dismissing Bristol Bay's Colorado action without converting the defendants' motion to dismiss into a motion for summary judgment. View "Bristol Bay Prods., LLC v. Lampack" on Justia Law